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Vishnu (IAST viṣṇu, Devanagari विषà¥à¤£à¥), (honorific: Sri Vishnu) also known as Narayana, is the Supreme Being (i.e., God ) or Ultimate Reality for Vaishnavas and a manifestation of Brahman in the Advaita or Smarta traditions of Hinduism. The Vishnu Sahasranamahttp://www.swami-krishnananda.org/vishnu/vishnu_1.html describes Vishnu as the All-Pervading essence of all beings, the master of and beyond the past, present and future, the creator and destroyer of all existences, one who supports, sustains and governs the Universe and originates and develops all elements within. In the Puranas, Vishnu is described as being the color of clouds (dark-blue), four-armed, holding a lotus, mace, conch and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a 'Universal Form' (Vishvarupa) which is beyond the ordinary limits of human sense perception http://www.vedabase.net/bg/11/3/en1 "..see the cosmic manifestation". It is also within the Puranas that the information regarding Vishnu's avatars is given. Nine of these avatars, or 'incarnations' are described as having occurred in the past, with one still to happen at the end of Kali Yuga. The Bhagavad Gita mentions their purpose as being to rejuvenate Dharma Bhagavad Gita 4.7 "...at that time I descend Myself" and vanquish negative forces. In virtually all the Sanatana Dharma traditions, Vishnu is worshipped, either directly or through avatars such as Rama, Krishna, Varaha and Narasimha. In the Trimurti, Vishnu is responsible for the maintenance or 'preservation' of the Universe, with the other roles of creation and destruction being under the care of Brahma and Shiva, respectively.
EtymologyA 13th century Cambodian statue of Vishnu The traditional Sanskrit explanation of the name Viṣṇu involves the root viÅ›, meaning "to settle, to enter", or also (in the Rigveda) "to pervade", and a suffix nu, translating to approximately "the All-Pervading One". An early commentator on the Vedas, Yaska, in his Nirukta, defines Vishnu as 'vishnu vishateh; one who enters everywhere', and 'yad vishito bhavati tad vishnurbhavati; that which is free from fetters and bondages is Vishnu.' Adi Sankara in his commentary on Vishnu Sahasranama states derivation from this root, with a meaning "presence everywhere" ("As he pervades everything, vevesti, he is called Visnu"). Adi Sankara states (regarding Vishnu Purana, 3.1.45): "The Power of the Supreme Being has entered within the universe. The root ViÅ› means 'enter into.'" Swami Chinmayananda, in his translation of Vishnu sahasranama further elaborates on that verse: The root Vis means to enter. The entire world of things and beings is pervaded by Him and the Upanishad emphatically insists in its mantra "whatever that is there is the world of change." Hence, it means that He is not limited by space, time or substance. Chinmayananda states that which pervades everything is Vishnu. Swami Chinmayananda's translation of Vishnu sahasranama pgs. 16-17, Central Chinmaya Mission Trust . Regarding the suffix, Manfred Mayrhofer Indo-Aryan etymological dictionary, 1996, II.566f. proposes that the nasal is analogous to jiṣṇu "victorious". Mayrhofer further suggests that the name goes back to an already Indo-Iranian *viÅ¡nu, and was replaced by raÅ¡nu in Zoroastrian Iran. The root viÅ› is also associated with viÅ›va "all" (possibly by popular etymology, the word is generally believed to derive from Indo-Iranian *vi-k'o-, influenced by sarva "all", but a minority opinion does, indeed, derive viÅ›va as from vik'-so, (J. Knobloch (1980)). Suggestions involving other roots include vi-ṣṇu "crossing the back", vi-á¹£-ṇu "facing towards all sides" and viá¹£-ṇu "active", as well as attempts to explain Vishnu as a combination of two unrelated words, or as being derived from a non-Aryan root Mayrhofer, A Concise Etymological Sanskrit Dictionary (1976) III.231f., J. Gonda, Aspects of Early Visnuism (ISBN 81-208-1087-2, reprint 1993) for a collection of references). The name is continued in Prakrit veṇhu, viṇhu. Vishnu in Smriti and ShrutiIn the VedasIn the Rigveda, Vishnu is mentioned 93 times. He is frequently invoked alongside other deities, especially Indra, whom he assists in killing Vritra, and with whom he drinks Soma. His companionship with Indra is still reflected by his later titles IndrÄnuja and "Upendra", both referring to Vishnu as being the brother of Indra. His distinguishing characteristic in the Vedas is his association with Light, or even his identification with the Sun. The most celebrated act of Vishnu in the Rigveda is the 'three steps' by which he strode over this (universe) and in three places planted his step. The 'Vishnu Sukta' of the Rig Veda (1.154) says that the first and second of Vishnu's strides (those encompassing the earth and air) are visible to men and the third is in the heights of heaven (sky). This last place is described as Vishnu's supreme abode in RV 1.22.20:
Griffith's "princes" are the sūri, either "inciters" or lords of a sacrifice, or priests charged with pressing the Soma. The verse is later quoted as expressing Vishnu's supremacy by Vaishnavites, (In the Rigveda the Sun is not a high-ranking deity, c.f. e.g. RV 2.12.7,
where Indra appears as senior to the Sun.) One early commentator, Aurnavabha, who is mentioned by Yaska in his Nirukta, interprets the three steps as the different positions of the sun at his rising, culmination, and setting. Though such solar aspects have been associated with Vishnu by tradition as well as modern-scholarship, he was not just the representation of the sun for in Rigveda he traverses in his strides both vertically and horizontally. In hymns I.22.17, 1.154.3, 1.154.4 he strides across the earth with three steps, in VI.49.13 , VII.100.3 strides across the earth three times and in I.154.1,I.155.5,VII.29.7 he strides vertically, with the final step in the heavens. The same Veda also says he strode wide and created space in the cosmos for Indra to fight Vritra. By his stride he said to have made dwelling for men possible, the three being a symbolic representation of its all-encompassing nature. This all-enveloping nature, assistance to Indra and benevolence to men were to remain the enduring attributes of Vishnu. As the triple-strider he is known as Tri-vikrama and as Uru-krama for the strides were wide. (The reference to the three strides of Vishnu in the Rig Veda is most possibly a prototype for the later legend of Vamana.) In the Vedas, Vishnu appears not yet included in the class of the Adityas (unless it is implied that he is identical with Surya, and included as the eighth Aditya), but in later texts he appears as heading them. It is inexplicable how Vishnu (and Shiva) rose to the prominence enjoyed currently by referring only to the Vedic hymns as Indra and Agni are invoked far more. It must be remembered that these hymns are liturgical in nature and meant primarily for the Soma sacrifice, especially dear to Indra. They may not represent the popular religion of those times as Jan Gonda cautions. Gonda also gives an elaborate theory of how the notion of Vishnu spread over various hymns contains the germs of future attributes. In some Rigvedic hymns, Indra seeks the help of Vishnu in destroying Vritra, indicating that he is not sufficient to accomplish it on his own. In another interpretation, the characteristic of Vishnu as the Supreme God appeared much earlier in the Vedic texts. For example, the following Vedic hymns express that point of view: 1. Purusha Sukta of Taittiriya Aranyaka (3.13.2) also refers master of Hri and Lakshmi (Vishnu) as Purusha, the Supreme God. 2. Visvakarma Sukta of Rig Veda (10.82) refers to Vishnu indirectly as the Supreme God.
3. The Rig Veda (1.22.20) states, oṃ tad viṣṇoḥ paramam padam sadÄ paÅ›yanti sÅ«rayaḥ: "All the suras (i.e., the devas) look always toward the feet of Lord Vishnu." There are also hymns in Rigveda which describe Vishnu as Jagathkartha -meaning 'he who created everything'.[citation needed] The foreword of P. Sankaranarayan's translation of Vishnu sahasranama, Bhavan's Book University, cites Rig Veda V.I.15b.3, for the importance of chanting Vishnu's name, "O ye who wish to gain realization of the supreme truth, utter the name of Vishnu at least once in the steadfast faith that it will lead you to such realization."
In the BrahmanasFour-armed Vishnu, Pandya Dynasty, 8-9th century CE. By the age of the Brahmanas, various stories can be found associating Vishnu with the act of religious sacrifice (Yajna). The sacrifice being the core of interest for these texts, this association goes a long way in explaining the importance of Vishnu. How this association came about is not clear, but the various stories in the Brahmanas seem to explain a fait accompli. Vishnu is said to have become the most important of all gods by truly 'understanding' the meaning of the sacrifice before all else. In the Shatapatha Brahmana, he is described as winning the sacrifice back from Asuras as a dwarf, where the kernel of the Vamana incarnation can be seen. Aitareya Brahmana: 1:1:1 mentions Vishnu as the Supreme God. In the UpanishadsThe Upanishads that form the philosophical culmination of the Vedas are dated at approximately 900 BCE. The purportedly oldest of these texts are the Chhandogya and Brhadaranyaka Upanishads. The former does not name Vishnu and the latter mentions him as part of ritual to obtain an exceptionally wise and learned son along with other deities. The slightly later Katha-upanishad, however, describes Vishnu in prominence - He who has no understanding, who is unmindful and always impure, never reaches that place, but enters into the round of births. But he who has understanding, who is mindful and always pure, reaches indeed that place, from whence he is not born again. But he who has understanding for his charioteer (intellect), and who holds the reins of the mind, he reaches the end of his journey, and that is the highest place of Vishnu. Krishna reveals his Vishvarupa form to Arjuna during their discourse of the Bhagavad Gita. His rise to supremacy is apparent in the epics (Mahabharata, Ramayana, and from this period he may be considered a manifestation of the Singular God. Thus, according to this interpretation, the division in Hinduism of Vaishnavism and Shaivaism appeared only with the Puranas, where Vishnu's descents in ten principal Avatars become his distinguishing characteristic. In the Bhagavad GitaIn the Bhagavad Gita the avatara Krishna teaches Arjuna the nature of the Supreme being and the different processes of Yoga, ultimately culminating in devotional surrender:
Theological attributesVishnu takes form as an all-inclusive deity, known as Purusha or MahÄpurusha, ParamÄtma [Supreme Soul], AntaryÄmi [In-dweller], and he is the Sheshin [Totality] in whom all souls are contained. He is Bhagavat or Bhagavan, which in Sanskrit means "possessing bhÄga (Divine Glory)". Vishnu possesses six such divine glories, namely,
However, the actual number of auspicious qualities of Vishnu is countless, with the above-mentioned six qualities being the most important. Other important qualities attributed to Vishnu are Gambhirya (inestimatable grandeur), Audarya (generosity), and Karunya (compassion.) The Rigveda says: Vishnu can travel in three strides. The first stride is the Earth. The second stride is the visible sky. The third stride cannot be seen by men and is the heaven where the gods and the righteous dead live. (This feature of three strides also appears in the story of his avatar Vamana called Trivikrama.) The Sanskrit for "to stride" is the root kram; its reduplicated perfect tense is chakram (guņa grade) or chakra (zero-grade), and in the Rigveda he is called by epithets such as vi-chakra-mÄņas = "he who has made 3 strides". The Sanskrit word chakra also means "wheel". That may have suggested the idea of Vishnu carrying a chakra. Three formsIn Gaudiya Vaishnavism, a school of Vaishnavism, the Satvata-tantra describes three different forms, or aspects, of Vishnu as Maha Vishnu, Garbhodaksayi Vishnu and Kshirodakasayi Vishnu, with each form having a different role in the maintenance of the Universe and its inhabitants: "For material creation, Lord Krishna's plenary expansion assumes three Vishnus. The first one, Maha-Vishnu, creates the total material energy, known as the mahat-tattva. The second, Garbhodakasayi Vishnu, enters into all the universes to create diversities in each of them. The third, Kshirodakasayi Vishnu, is diffused as the all-pervading Supersoul in all the universes and is known as Paramatma. He is present even within the atoms. Anyone who knows these three Vishnus can be liberated from material entanglement." Quoted from the Satvata-tantra translation by A. C. Bhaktivedanta Swami Prabhupada Five formsVishnu in the form of Lord Venkateshwara at Tirumala In Sri Vaishnavism, another school, Vishnu assumes five forms:
See also Pañcaratra "editsection"> Relations with other DeitiesA statue of Vishnu with Lakshmi (left) and Saraswati in Stanford Museum Vishnu's consort is Lakshmi, the Goddess of wealth. Maya is the samvit (the primary intelligence) of Vishnu, while the other five attributes emerge from this samvit and hence Maya is his ahamata, activity, or Vishnu's Power. This power of God, Maya, is personified and is called Maya, Vishnumaya, or Mahamaya, and She is said to manifest Herself in, 1) kriyÄshakti, (Creative Activity) and 2) bhütishakti (Creation) of Universe. Hence this world cannot part with his creativity i.e., ahamta, which is a feminine form and is called Maya. Vishnu is also associated with Bhudevi or Prithvi, the earth goddess; Tulsi; Ganga, goddess of river Ganges and also Saraswati, goddess of learning. In the Brahma Vaivarta Purana, verses 2.6.13-95 it is described that Vishnu has three wives, who constantly quarrel with each other, so that eventually, he keeps only Lakshmi, giving Ganga to Shiva and Saraswati to Brahma. Vishnu's vehicle is Garuda, the eagle, and he is commonly depicted as riding on his shoulders. Another name of him is "Veda-Atma" or The Soul of the Vedas and Vedic truth. Iconography
According to various Purana, Vishnu is the ultimate omnipresent reality, is shapeless and omnipresent. However, a strict iconography governs his representation, whether in pictures, icons, or idols: Vishnu seated
Vishnu is always to be depicted holding the four attributes associated with him, being:
Vishnu with Lakshmi, on the serpent Ananta Shesha, as Brahma emerges from a lotus risen from Vishnu's navel To this may be added, conventionally, the vanamaala flower garland and Vishnu's bow, the Shaarnga, and his sword Nandaka. A verse of the Vishnu Sahasranama stotram states;"vanamÄlÄ« gadhÄ« shÄrngÄ« shanki chakri cha nandaki / shrÄ«mÄn nÄrÄyaņo vişņo vÄsudevo abhirakÅŸatu//"; translation: Protect us Oh Lord Narayana who wears the forest garland,who has the mace, conch , sword and the wheel. And who is called Vishnu and the Vasudeva. In general, Vishnu is depicted in one of the following three ways:
AvatarsThere are ten avatars of Vishnu (dashavatara) commonly considered as the most prominent Garuda Purana Texts 1.86.10-11 :
Dasavatara Page] (salagram.net)
Some versions of the above list include Hayagriva amongst the Dasavataras. Apart from the above mentioned ten principal avatars, another 22 avatars are given in Chapter 3, Canto 1 of the Srimad Bhagavatam. Following this list the Bhagavatam states that as well as these avatars "the incarnations of the Lord are innumerable, like rivulets flowing from inexhaustible sources of water"Bhagvata Purana, 1.3.26. There has also been some comparison between the avatars of Vishnu and Darwin's Theory of Evolution, as the incarnations generally mirror increasing phylogenetic sophistication in keeping with the theory's proposal of terrestrial reptiles and mammals evolving from aquatic and amphibian life.Incarnations of Vishnu & Theory of Evolution. http://mailerindia.com/god/hindu/index.php?vish6 Thousand names of VishnuVishnu with Lakshmi (Lakshmi-Narayana) at Halebidu Vishnu has a large number of names, collected in the Vishnu sahasranama ("Vishnu's thousand names") from within the larger work Mahabharata. The character Bhishma recites the names before Krishna on the battlefield of Kurukshetra, praising him (Vishnu) as the Supreme God. These Sahasranama are regarded as essence of all Vedas by followers of Vaishnavism who believe sincere chanting of Vishnu Sahasranama results in spiritual well-being and a greater awareness of God. The names are generally derived from the anantakalyanagunas (meaning: infinite auspicious attributes). Some names are:
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